I was off for quite a long period of time. However I took some time to do further investigations and tests on these units and had a good degree of success. The breaks still are improvable. Maybe my design could act as a starting point for further discussion. As I said there is no literature about bombettes (except reports) and who wants to make colour breaks is contingent on cooperation.
I focussed on the following:a.)
Break charge: I realized that bombettes are broken using a kind of dirty flash employing flake Al (nominal mesh size smaller than 200) with or without grease, probably using the 70/30 formula. There was no commercial item that contained dark Al for flash. The weight range of the flash charges showed some continuities.
b.)
Container: I couldn´t find any commercial item made from virgin kraft paper. Bombettes use inferior kinds of paper - kraft partially made from waste paper or plain recycled paper (as used to protect the floor from scratches). While this practice reduces the production costs, it may also have some practical background: Containers from virgin kraft are a lot stronger and thus harder to break.
c.)
Plugging the tubes: Most commercial items are either plugged with clay on both sides, or with clay on one side and paper plugs on the other. A third variety uses clay on one side and clay forced between two disks on the other. I´m not sure how the first version is constructed (you can´t plug the filled tube pressing in some clay). Generally it´s very hard to sufficiently plug both side to allow pressure to be equally built up inside. The units fail if one side blows out easily. However some of you may argue that the properties of the plugging and the container won´t do much difference in a flash-broken unit cause flash will break anything you give it - I leave this point open.
d.)
Stars: Most bombettes come from china where MgAl/metal-fuelled stars are the standard choice. The stars burn bright and are heavily primed.
e.)
Clay: the clay seems to be an important factor; most items seem to use red fireclay mixed with grog.
So far I managed to develope the following manufacturing method (note that I was using untreated bentonite because I had no other clay at home), which may serve as a starting point for improvement.
My own units were:50mm long, 25mm I.D. with 1mm wall (27mm O.D.) shot from 30mm cakes (using about 2,5 grams of mediocre 3FA/4FA)
container wet rolled using diluted white glue, made from a thick caliper of plain waste paper as used by workers to protect floors, rolled against grain
lower plug: 15mm of bentonite pressed in with a hydraulic press, pressed until container slightly deforms (note that plain bentonite is easily affected by moisture-->so I omitted priming the units or adding tails, but they all lit)
clay drilled with 2,5mm drill
inserted 20mm of 2,5mm visco (1cm/sec), fuse stands out about 3mm, split-tied blackmatch (being impossible to use damp primes)
loaded units with 10-12 8mm primed pumped stars and 0,8 grams of 70/30 flash (perc/bright Al coated with 1% stearine)
inserted a disk
stripped the remaining paper using a sharp knife, then applied a little hot melt glue to the disk and closed the units in maltese style (uncommon method, but I gave it a try to find out if it allows more pressure to be built up, it worked-->method improvable)
I shot about 25 of these on new years eve and they all succeeded. Although quite sightly the break could be harder (larger flower) and more symmetrical. I will try using 1g of flash next time. However, so far I was quite happy with what I´ve got.
Feel free to criticize and improve this attempt.
Edited by AdmiralDonSnider, 14 January 2009 - 03:28 PM.